Portraits, Painters, and Publics in Provincial England, 1540-1640 Robert Tittler

ISBN: 9780199685967

Published: November 1st 2013

Paperback

202 pages


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Portraits, Painters, and Publics in Provincial England, 1540-1640  by  Robert Tittler

Portraits, Painters, and Publics in Provincial England, 1540-1640 by Robert Tittler
November 1st 2013 | Paperback | PDF, EPUB, FB2, DjVu, talking book, mp3, RTF | 202 pages | ISBN: 9780199685967 | 5.23 Mb

In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be saidMoreIn this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a public for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and polite.Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread, both socially and geographically, throughout the realm.

He suggests that provincial portraiture differed from the mainstream, cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production.

Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painters occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history: it speaks to admirers and collectors of painting as well as to curators and academics.



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